Between Conventional
and
Experimental.
Mass Housing and Prefabrication in Modernist Architecture
ed. by Regine Hess, Inbal Ben-Asher Gitler, Tzafrir Fainholtz, Yael Allweil
Leuven University Press,
Leuven 2024
Leuven University Press,
Leuven 2024
Modern mass housing owes much of its social ideas and designs to architectural prefabrication. Indeed, the concept of this book is based on the idea that prefabrication in mass housing should bring about social change in specific historical situations. Therefore, the present collection provides a history of different construction systems in diverse contexts, but more than that, it is an attempt to demonstrate the relevance of prefabrication history for a cultural and material history of the built environment.
The contributors are Mia Åkerfelt (Åbo Akademi University, Turku), Yael Allweil (Technion Israel Institute of Technology), Inbal Ben Asher-Gitler (Sapir Academic College, Ashkelon/ Ben Gurion University of the Negev, Beer Scheva), Angelo Bertolazzi (University of Padua), Tamara Bjažić Klarin (University of Zagreb), Tzafrir Fainholtz (Technion Israel Institute of Technology), Alberto Franchini (Technical University Munich/Polytechnic University of Milan), Ilaria Giannetti (Sapienza, University of Rome), Regine Hess (ETH Zurich), Silke Langenberg (ETH Zurich), Daphna Levine (Technion Israel Institute of Technology), Stefania Mornati (Sapienza, University of Rome), Uta Pottgiesser (TU Delft), Maryia Rusak (Oslo School of Architecture and Design), Liat Savin Ben Shoshan (Technion Israel Institute of Technology), Maria Tassopoulou (Technical University of Athens), Anna Wilczyńska (Estonian University of Life Sciences/Warsaw University of Life Sciences).
EPHEMERPERMANENT
EINE ARCHITEKTURGESCHICHTE GROßER AUSSTELLUNGEN
HABILITATION PROJECT 2024
Habilitation project located at the School of Engineering and Design at Technical University Munich and funded by German Research Foundation (DFG)
International Building Exhibition Interbau 1957, Berlin, Special Exhibition Hall by Günther Günschel and Karl Otto © Architecture Museum of TU Munich
A FUTURE FOR WHOSE PAST?
THE HERITAGE OF MINORITIES, FRINGE GROUPS AND PEOPLE WITHOUT A LOBBY
ETH ZURICH, CONSTRUCTION HERITAGE AND PRESERVATION
PROJECT MANAGER AND ACQUISITION OF THIRD-PARTY FUNDS 2022/2023
The motto of the European Architectural Heritage Year 1975 was “A Future for our Past.” 50 years later, in view of the consequences of globalisation, diversity, climate change, migration and displacement, we are faced with the question of who is meant by “us” at all.
The research and exhibition project is based on an idea by Prof. Dr. Silke Langenberg. It asks whose heritage we are talking about, who determines what is important for society’s memory, and what characterises this society? Do the objects protected by laws on monuments, nature and heritage conservation in the German-speaking countries and thus preserved for the future really represent history? Or have we not been talking about histories for a long time? What heritage is significant for outsiders and marginalised groups without a lobby, and what measures should be taken to ensure that the heritage of the future really reflects the social developments of the past? What does inclusion in heritage mean? The exhibition and preparatory research are intended to honour the results and achievements of the European Architectural Heritage Year 1975, to reflect on the current situation and to provide impulses for the future development of preservation. Cooperation partners are ICOMOS Germany, ICOMOS Austria and the S AM Swiss Museum of Architecture. The project is funded by the Federal Office of Culture (BAK).
DAS ERBE VON
MINDERHEITEN /
THE HERITAGE OF
MINORITIES
DAS ERBE VON
MINDERHEITEN /
THE HERITAGE OF
MINORITIES
ed. by Regine Hess,
ORKUN KASAP, SILKE LANGENBERG
Kritische Berichte.
Journal for Art History
and Cultural Studies, 1/2024
The issue brings together contributions from monument preservation, architecture and art history on topics of labor, gender, race, childhood, psychopathology, subculture and the right of marginalized groups to the European architectural and cultural heritage. The authors are Clara Arokiasamy OBE, President of ICOMOS UK (interviewed by Regine Hess), Tom Avermaete, Rune Frandsen, Kostas Tsiambaos, Coordinator of DOCOMOMO, Greece.
kb Debate 2024: The rules of the debate
The existential crises of recent years – climate change, the covid-19 pandemic, the latest wars and the rise of political populism – have led to a social debate culture that is increasingly emotional and ideological. The hardening of ideological standpoints and the communicative logic of the new media are accompanied by a boom in alternative offers of truth, which are increasingly accompanied by attacks on science and its institutions that constantly challenge the scientific rules of finding truth and solutions. The debate topic therefore aims to ask what strategies the humanities, and specifically art history, can offer to counter the erosion of the basic rules of a democratic exchange of opinions and the loss of trust in independent science. The debate begins with Wolfgang Ullrich’s contribution Kunstwelt im Konflikt.
Read more about edition 1/2024 Ulmer Verein
Designed Orders
Lecture Series
REGINE HESS (ETH ZUrich)
Othering Displayed:
Racialized Spacemaking of
German Exhibitions
LOEWE Research Cluster:
Architecture of Order.
Practices and Discourses between Design and Knowledge
02.02.2023
Goethe University Frankfurt
Architecture
Conflict
ed. by Regine Hess,
working group
Architecture Conflict
Kritische Berichte.
Journal for Art History
and Cultural Studies, 2/2023
This issue is dedicated to conflict in architecture. Here, we consider planning and building in at its most important – conflictual – stages, where a multitude of different actors are involved. Architecture and preservation are thus more strongly embedded in the political, social, and historical sciences. Researching controversies and the production of difference are guiding research principles. The working group Architecture Conflict is interested in a historical, source-critical perspective on built and unbuilt architecture, public space, infrastructures, as well as those narratives, institutions and interactions documenting that.
This year’s debate on Queerness in Art Sciences is continued by the contribution «Queer Spatial Practice: The Forum Queer Archive Munich as storage of memory and feeling».
Read more about edition 2/2023 Ulmer Verein
Void and Emotion
in Contemporary Architecture
Lecture by REGINE HESS
May 10, 2023. 4 – 5:30 p.m.
Department of Art History,
DEPT. architectural history,
University of Cologne
Designed Orders
Lecture Series
17.10.2022 – 10.02.2023
Goethe University Frankfurt
LOEWE Research Cluster:
Architecture of Order.
Practices and Discourses between Design and Knowledge
02.02.23
REGINE HESS (ETH ZUrich)
Othering Displayed:
Racialized Spacemaking of German Exhibitions
The architectural design process aims to create new orders and at the same time is, itself, structured by its practical, technical, social, and legal frameworks. The lecture series in the 2022/2023 summer and winter semester traces this double relation. Each design imagines the future and represents an attempt to create a new spatial – and thus always social – order. This projective access to the unknown and unthought places planning conventions, construction standards, legal requirements and established architectural, urbanistic and social ideas in relation to each other rethinks them, and makes them dynamic. The lecture series asks how design structures the interaction of these different and heterogeneous factors and what roles the conditions, norms, and tools of design play.
bauschule München
© pk-Odessa Co. @sebastianschels
© Ivan Sterzinger
Silke Langenberg, Karl R. Kegler, Regine Hess (eds.), Munich 2022
The Faculty of Architecture at Munich University of Applied Sciences celebrates the 200th anniversary of its founding in 2022. Its predecessor institution, the Staatsbauschule München, is one of the oldest schools of architecture in Germany. The book is dedicated to it with essays by Karl R. Kegler, Silke Langenberg, Christian Schuler, Regine Hess, Christiane Fülscher, Andreas Putz, Ákos Moravánszky, and Reinhold Winkler, an interview with Peter Lanz, as well as historical building plans and photographs by Tania Reinicke, Rainer Viertlböck and Sebastian Schels.
Racism in
Architecture
ed. by Regine Hess,
Christian Fuhrmeister
and Monika Platzer
Kritische Berichte.
Journal for Art History
and Cultural Studies, 3/2021
With peer reviewed articles by Maja Lee-Voigt, Itohan Osayimwese, Kenny R. Cupers, Ole W. Fischer, Monika Platzer, Regine Hess, Alexandra Klei, Sabine Girg, Mira Anneli Naß, the announcement of the network of Black professionals working in the building industry by Catharina Meier, “Smashing Figures” by Birgit Szepanski, and a conversation by Benjamin Kaufmann and Christian Fuhrmeister.
Lettering “Schande“ applied to the pedestal of the Lueger Memorial in Vienna, 2021 © Schandwache